Artistic Statement

subject:
I search for simple patterns that emerge out of chaotic scenes and try to isolate particular elements so I can present my interpretation of order. I like to photograph scenes with unusual intersecting curves, and dynamic patterns that are often found in natural transition zones, connection points, or interacting systems in nature and urban areas.


I explore the outskirts of cities where water features have been incorporated into built structures to create a mix of human and natural creation. I am stimulated when I recognize a sense of ambiguity within our built environments. I am particularly attracted to areas of tension, which are created between contrasting elements in the landscape and often found where natural and manufactured elements co-exist. It is when I perceive this tension that I begin to recognize a sense of meaning and order.

Many of the subjects I photograph are innocuous areas that might easily be passed by, but when presented to a viewer at a different angle and scale, a transformation takes place and a commonplace area is transformed into something unusual. The effect of concentrating on simple lines evokes qualities of calm, elegance, and refinement, while the soft textures, unusual patterns, and altered scale also play important roles in my image creation.

light:
Quality of light is a key determinant in the ability to transform a scene into something that piques the minds interest. I mainly photograph 5-30 minutes before or after sunset and typically look for light that is softer and cooler in hue. During this time, highlights are less likely to be overexposed while good detail in is also kept in shadows.

gear:
I tend to use a large format film camera, which allows for camera movements that smaller cameras don't have and allows for use of increased sized film that also gives greater control and flexibility.   Large format cameras have adjustable fronts and backs that allow me to have more precise control over perspective and depth of field. These adjustments help to solve photographic problems, and create effects that would be impossible with a conventional fixed-plane camera. My 4x5 Linhof is particularly useful for architecture and landscape photography.

film:
The large film format allows for the creation of a very detailed negative image which is optimal for enlargement with little grain or loss of quality. It also gives me leverage to exploit more discreet steps in the tonal range of the film from black to white allowing for smoother surface tonality on objects represented in finished prints. However, the consequent weight of the camera (and associated equipment such as lenses, tripod, film holders etc) does not lead to simple 'snap' shooting.

composition:
Composition with a view camera is challenging, but it also forces the practitioner to concentrate on visualizing a scene beforehand, and then setting up a camera to go through the mechanics of capturing the image. Balancing the variety of elements, lines and general noise in a scene requires focused attention.

I try to select subject lines that will contribute to both the general mood and aesthetics of a photo and by means of linear perspective give the illusion of depth of field. I also use angular lines to give a sense of action or to direct attention towards the main subject of the photograph. It helps to balance elements in the image and is useful for dividing a scene it into compartments.

Image making is also an agonizing struggle and the source of much frustration and heartache. At times it is more of an obsession or compulsion than a pleasure. But every once in a while all the right elements come together and the combination of insight and experience results in the creation of something unique.